Now available on home video through
Columbia TriStar
Ed
Solomon, the screenwriter of
Men in Black and Leaving Normal, made his directorial debut with
LEVITY, a thought-provoking drama about the nature of sin and redemption.
Solomon first came up with the idea for the film after spending time
working as a tutor in a juvenile prison. The film, shot on location
during a snowy winter in Quebec, boasts the talents of cinematographer
Roger Deakins (A Beautiful Mind, O Brother Where Art Thou?) and editor
Pietro Scalia (Hannibal, Gladiator), an Oscar winner for his work
on Black Hawk Down.
LEVITY was selected to screen at the 2003 Sundance Film Festival as
the opening night film.
Echo Lake executive produced the FilmColony production with Revelations
Entertainment and Entitled Entertainment.
To learn more about the film, please visit the Sony Pictures
Classics website. Or click here to purchase the DVD from amazon.com.
CAST
Billy Bob Thornton
(Monster's Ball; The Man Who Wasn't There; A Simple Plan)
Morgan Freeman
(The Sum of All Fears; Along Came a Spider; Seven)
Holly Hunter
(Moonlight Mile; O Brother Where Art Thou?; The Piano)
Kirsten Dunst
(Spider-Man; Crazy/Beautiful; Bring It On)
LEVITY synopsis
Manual Jordan has done his time. After spending almost 20 years behind
bars, the parole board has declared him a free man. But Manual prefers
to remain behind bars. It's justice, he thinks, after what he did.
Manual killed a man. Not even a man, a young kid helping out in the
convenience store Manual and his pals planned to rob. Ever since, the
victim, Abner Easley, has shared Manual's life, staring down at him
from the wall of his cell, a yellowing newspaper portrait of a young
life cut short.
Now Manual is out. He is changed, unrecognizable, but he is drawn irresistibly
to the city where he committed his crime. An enigmatic pastor, Miles
Evans, offers Manual work at a community house in a tough neighborhood.
Miles allow local rich kids frequenting the hip nightclub next door
to park free in his lot in return for listening to fifteen minutes
of his fire-and-brimstone preaching. Miles castigates their empty,
hedonistic lives while Manual guards their cars. As Manual soon discovers,
however, the job entails a lot more. Sofia, a beautiful young woman
apparently intent on self-destruction, regularly needs his aid to make
it back to the huge house she shares with her alcoholic, former pop-star
mother. And Miles rapidly enlists Manual to fulfill some of his more
delicate neighborhood duties while the pastor himself is mysteriously
out of town. Like Manual, Miles and Sofia have deeply hidden secrets
they are scared to confront.
Above all, though, Manual tries to help out Adele, Abner Easley's sister.
Without revealing his identity to her, he begins by carrying her shopping
and soon becomes her friend. Adele's son, named Abner after his dead
uncle, is a rebellious young man heading down the same path that Manual
knows so well. But in trying to protect young Abner, maybe Manual is
simply trying to redeem himself and excuse his developing relationship
with Adele. When he and Abner wind up in a blind alley, the resolution
is inevitably violent.
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